It was painted from 1508 through1512 under the tutelage of Pope Julius II and is a cornerstone of Renaissance art. Very few have not seen pictures of at least part of it. Harry Andrews excels in the role, while his protege, the painter Raphael, played by Tomas Milian, projects very well as Heston’s possible replacement. One of the greatest works of art is Michelangelo’s fresco on the ceiling of the Sistine Chapel. It seems Michelangelo only wants to keep working on. It is on this battle of wills which the movie focuses on. When Pope Julius ll (Rex Harrison) commissions Michelangelo (Charlton Heston) to paint the ceiling of the Sistine Chapel, the artist initially refuses. The Agony and the Ecstasy (1965) Director: Carol Reed Entertainment grade: D+ History grade: B During his own lifetime, sculptor, architect and painter Michelangelo Buonarroti was considered to. The country relies on his strength and all the while Michelangelo seems to bristle at every request for a progress report and is constantly asking for money. ![]() Combination of austere garb, thinned face, short hair and beard, plus underplaying in early scenes, effectively submerge the Heston image fostered by his earlier epix.Īssisting Harrison’s verbal whiplashes are the grandiose engineering plans of the architect Bramante, then engaged in building the new basilica of St Peter. He is fighting a war with France which seeks to invade and take over Italy. as Michelangelo, Rex Harrison as Pope Julius II, and other cast members. ![]() Too long and limited in subject matter to score at the box office, The Agony and the Ecstacy holds up pretty well when seen today, especially when viewed in a wide-screen print. for the opening of the movie about Michelangelo, The Agony and the Ecstasy. Rex Harrison is outstanding as the Pope, from the moment of his striking entrance as a hooded soldier leading the suppression of a pocket of revolt, to his later scenes as an urbane, yet sensitive, pragmatic ruler of a worldly kingdom.Ĭharlton Heston’s Michelangelo is, in its own way, also outstanding. The film also gingerly approaches the subject of Michelangelos sexual orientation vis-a-vis his relationship with the Contessina de Medici (Diane Cilento).
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